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Edward Elgar Cello Concerto Torrent

Edward Elgar Cello Concerto Torrent Rating: 6,9/10 626 reviews

Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had already gone out of fashion with the concert-going public. In contrast with Elgar's earlier Violin. Author: Edward Elgar Page Count: 112 pages. Published Date: 17 Jul 2012. Publisher: Dover Publications Inc. Publication Country: New York, United States. Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had already gone out of fashion with the concert-going public. In contrast with Elgar's earlier Violin Concerto, which is lyrical and passionate, the Cello Concerto is for the most part contemplative and elegiac.

Nostalgia ain’t what it used to be, goes the old joke. And no-one understood that paradox better than Edward Elgar, the high priest of English musical nostalgia.

By the time he reached his artistic peak – and he had already come to the table quite late – he was considered old hat and backward-looking by the critics, and he often felt himself to be a man out of his time. So, as the centenary of the premiere of Elgar’s Cello Concerto approaches, it seems a good time to redress the balance, and see how the fortunes of this once-derided masterpiece strangely mirrored the composer’s own.Listen to Elgar’s Cello Concerto performed by Julian Lloyd Webber, described as “the finest ever version” by BBC Music Magazine.A Hundred Years Of Elgar’s Cello ConcertoYou have to feel sorry for cellists. There are far fewer concertos for their instrument than for the piano or violin, and of the ones which exist, only two are generally considered masterpieces.

One is by Dvořak, and the other – just in case you hadn’t guessed – by Elgar. It pulses with a particularly intense nostalgic melancholy which Edward Elgar could tap into so well, and creates an unforgettable atmosphere of profound yearning. But these aren’t the only reasons for its success. Elgar’s masterly orchestration ensures that the instrument is alternately a partner and an adversary of the orchestra in true concerto style, and that the delicate sound of the cello is never swamped. Julian Lloyd Webber, whose 1985 recording was hailed by BBC Music Magazine as “the finest ever version”, once suggested that the orchestration also cleverly emphasises the cello’s solitariness and increases the mood of loneliness. “The high woodwind and low strings leave the cello very much alone in the middle of the texture,” he said. Now the formerly ugly duckling is in danger of becoming a war-horse, to mix a metaphor.

So popular is the piece, and so well-known its melodies, that film producers confidently insert it on soundtracks for a bit of instant atmosphere. It was used, appropriately enough, in the TV adaptation of John Mortimer’s state-of-the-nation satire Paradise Postponed (1986) and in the stirring wartime women’s-camp drama Paradise Road (1997). But it turned up in the silly schlock-horror flick The Boy (2016) too, and you can find it in countless other movies. It’s not bad for a piece which seemed for a while as if its fate were to end up unloved and unplayed on a library shelf somewhere.Edward Elgar would have been thrilled to know that the public has finally taken his favourite work to heart. When a friend visited him on his deathbed, he found the composer humming the tune of the concerto’s first movement, and dreaming of its immortality after his death.

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“If ever you’re walking on the Malvern Hills and hear that, don’t be frightened,” said Elgar. “It’ll only be me.”Listen to Music In The Air: 100 Years Of Elgar’s Cello Concerto presented by Julian Lloyd Webber on Classic FM on Sunday 27 October from 5-7pm. The two-hour show will conclude with Julian’s complete performance of Elgar’s Cello Concerto recorded with the Royal Philharmonic Orchestra conducted by Yehudi Menuhin.

Elgar and making an early recording of the concerto (1920). Note the horns.' S Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the, when his music had already gone out of fashion with the concert-going public. In contrast with Elgar's earlier, which is lyrical and passionate, the Cello Concerto is for the most part contemplative and elegiac.The first performance was a debacle because Elgar and the performers had been deprived of adequate rehearsal time. The work did not achieve wide popularity until the 1960s, when a recording by caught the public imagination and became a classical best-seller.

Elgar made two recordings of the work with as soloist. Since then, leading cellists from onward have performed the work in concert and in the studio. Contents.History Elgar is not known to have done any work on the concerto until 1919. However, as far back as 1900 the cellist of the, had extracted from Elgar an agreement to write a cello concerto. Fuchs later wrote to Elgar reminding him of this agreement.

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In 1903, Fuchs' friend the cellist reiterated the request orally, and in 1906 by letter. So the idea of such a piece was not new.The concerto was composed during the summer of 1919 at Elgar's secluded cottage 'Brinkwells' near, where during previous years he had heard the sound of the artillery of World War I rumbling across the at night from France. In 1918, Elgar underwent an operation in London to have an infected tonsil removed, a dangerous operation for a 61-year-old man. After regaining consciousness after sedation, he asked for pencil and paper, and wrote down the melody that would become the first theme in the concerto. He and his wife soon retired to the cottage in an attempt to recover from their health problems. In 1918, Elgar composed three chamber works, which his wife noted were already noticeably different from his previous compositions, and after their premieres in the spring of 1919, he began realising his idea of a cello concerto.The concerto had a disastrous premiere, at the opening concert of the London Symphony Orchestra's 1919–20 season on 27 October 1919. Apart from the concerto, which the composer conducted, the rest of the programme was conducted by, who overran his rehearsal time at the expense of Elgar's.

Lady Elgar wrote, 'that brutal selfish ill-mannered bounder. That brute Coates went on rehearsing.' The critic of, wrote, 'There have been rumours about during the week of inadequate rehearsal. Whatever the explanation, the sad fact remains that never, in all probability, has so great an orchestra made so lamentable an exhibition of itself. The work itself is lovely stuff, very simple – that pregnant simplicity that has come upon Elgar's music in the last couple of years – but with a profound wisdom and beauty underlying its simplicity.'

Elgar attached no blame to his soloist, who played for him again later. Elgar said that if it had not been for Salmond's diligent work in preparing the piece, he would have withdrawn it from the concert entirely.In contrast with the, which received a hundred performances worldwide in just over a year from its premiere, the Cello Concerto did not have a second performance in London for more than a year. Music This work is scored for solo cello, 2, 2, 2, 2, 4, 2, 3,.