Play It Loud Slade Rar File
Raven(Jim Lea, Noddy Holder, Don Powell)Tell Raven that it's fatal, chasing everything that glitters.Colour breeds a shadow, he doesn't miss a single thing.Gold and silver party stone, he doesn't leave a thing alone.Bound to win every hour. Flies to his lofty tower.Storing the spoils of the fruits of his toils.He did well on the side of the roundabout flying.Often you'll see the Raven, flapping wings and calling loudly.Doesn't care what others feel, thinks he has the right to steal.Gold and silver party stone, he doesn't leave a thing alone.Bound to win every hour. Flies to his lofty tower.Storing the spoils of the fruits of his toils.He did well on the side of the roundabout flying. Sweet Box(Jim Lea & Don Powell)Wat-ching sweet time box of lovePut me in your sweet boxI'm coming along in your sweet boxDo I have to take all night to get thereI saw in the load on your back lightWhat I saw through my glasses was alrightDo I have to take all night to get thereWat-ching sweet time box of loveBreakPut me in your sweet boxI'm coming along in your sweet boxDo I have to take all night to get thereIn your sweet boxI saw in the load on your back lightWhat I saw through my glasses was alrightDo I have to take all night to get thereIn your sweet boxWat-ching sweet time box of love. 'Late summer of 1970, a newborn Slade headed for Germany to play the Pop & Beat Koncert Festival in Nordseehalle, Helgoland on August 15th.
Golden Earring, Pan and Made In Sweden were among the many other groups who also played at the festival. Radio Nordring sent in excerpts from the festival the same day on Danemark Radio's P1 as ' Radio Nordring, Helgoland - International Sommerradio'. 'Prior to this occasion, the BBC had always sent a singer to represent Britain. The previous year had seen Clodagh Rogers in the role but Slade were the first British group. The festival of song was apparently broadcast over most of Europe according to the media. Remember that this was the Europe of 1970, somewhat different than today due to politics and a certain wall. Express & Star: Thursday 20th August 1970The Nordring, Heligoland (notice how we add an i.) recordings are Dutch, but they were aired on Danish radio.
Play It Loud Slade Rar File Download
Play It Loud performed by Slade. All Rights Reserved.
DANSK BEAT was Denmark's most upfront radio show for some time, Showcasing ' so-called' Beat Music, it invited each week, a Danish beat group into the studio with the edict of broadcasting 'the sound of now' (my understanding of their philosophy, not their words). DANSK BEAT (the radio program) began in 1969 on Thursday September 4th and the shows were generally produced and recorded in RADIOHUSET, Studio 11, Copenhagen, by Erik Boseholm and later, by Freddy Hansson and others. The Pop & Beat Koncert Festival was aired live from Radio Nordring on Helgoland in Germany all over Europe including Denmark. The show had to be broadcast from Helgoland as it was the only place from where all the countries could receive a radio signal. The show was billed as a European 'event' where rock groups from 7 countries were invited to play. Slade were featured on a BBC radio programme 'Pop Music From Europe' hosted by Chris Grant a month later. It's unsure whether this is a recorded broadcast or a seperate event?
Express & Star: 26th September 1970Slade represented England at Helgoland but there is no indication as to why they were chosen. They had no hit records at the time and few bookings because of their skinhead image. They had done a lot of Radio One studio sessions though and were very well liked for their professional behaviour. It is possible that they were being helped through their transition. Their hair needed time to grow back and Europe did not have such strong feelings against skinheads. It's possible that Chandler called in a few favours and got them this opportunity.
While it was being broadcast. The radio station had to include a break in the show between 11 p.m. And 11.10 p.m. In order to make room for the Danish news, so what was aired after 11.10 p.m. Was with a 10 minutes delay. The broadcast also included live interviews with the bands and during Slade's chat, the guys got asked about their skinhead looks and Don got himself kicked out of the studio for sayingFeaturing a unique version of Hear Me Calling including 'that siren', a splendid rendition of and an energetic performance of. This may be a short set but it's essential.'
I first heard the tracks, around '72, there were three that were included on a cassette tape of a show that seemed to only feature three tracks from each band. I remember Golden earring had 5 tracks but they were the head-liners.Researching decades later, my understanding is that the band never played a full set, just a three track showcase that was broadcast live on air.There is very little information to be found but I did get in contact with Golden Earring fans and they told me the same thing. My gut feeling is that we have it all.'
Dave Graham 'Don Powell told me the band 'used to love going to Heligoland because they sold the cheapest booze and fags so they'd stock up'.Stu Rutter. In 1969 Chas Chandler (The Animals) took the position of manager for Ambrose Slade. Chandler shortened their name to Slade & told them to write more of their own material.
He also suggested they go for the new 'skinhead' image. Prior to Cos I Luv You reaching No.1 in the charts in November 1971 the band were working hard to get heard on the radio. The success of that song written by Holder & Lea established a successful writing team, which made the group the most successful in the UK since the Beatles, probably deprived the rock world of some interesting musical development. In order to get the necessary airplay, the band, in there various guises, recorded many of the cover numbers they were performing in their live act at the time. Comin' Home, a Delaney & Bonnie track, was intended for inclusion on the Slade Alive album. Most of the tracks were recorded at the BBC Studios for radio exposure.
Dello penned 'Honeybus' cover, 'Delighted To See You' was part of an Abbey Road session for EMI on the back of Kim Fowley's interst in the band. It finally came to light in the 90's on a little known EMI release 'Psychedelia at Abbey Road'. You Better Run (Cavalierre & Brigatti) & Evil Witchman were originally released by The 'N Betweens 0n the 2nd December 1966 as a 7' single, Columbia DB8080, produced by Kim Fowley. Evil Witchman is credited to Fowley & Slade but it was musically plagiarised from The Artwoods 'I Take What I Want', a song that the group played in their live set. You Better Run was also part of their live set and was originally performed by The Young Rascals. Fowley also produced Security (Otis Redding) released by The 'N Betweens on a promo 7' single, Highland Records 1173, in the US.
Play It Loud Slade Rar Files
Nights In White Satin, penned by Justin Hayward and originally performed by The Moody Blues, was recorded for BBC Radio 1's 'In Session Tonight' around 1969 and probably as Ambrose Slade although that is unconfirmed.Wild Winds Are Blowing (Winsley & Saker) & One Way Hotel (Lea, Holder & Powell) are from the original mono Fontana Records 7' released 24th October 1969 as TF 1056. Produced by Chas Chandler for Montgrove and performed as The Slade. One Way Hotel is the original version, not the later Polydor recording. Getting Better is a Lennon & MaCartney number, originally by The Beatles of course, recorde circa 1969 probably as Ambrose Slade. Comin' Home, written and performed by Delaney & Bonnie Bramlett, Coloured Rain (Winwood, Capaldi & Wood) originally by Traffic, This Is The Season (Hutchings, Nicol, Thompson, Lamble, Dyble & Matthews) recorded by Fairport Convention, recorded at the BBC Studios for Radio 1 'In Session Tonight' circa 1970. Omaha, written by Skip Spence and originally recorded by Moby Grape, recorded for 'In Session Tonight' on 25th April 1970 for broadcast on 24th of August 1970 on The Mike Harding Show. The BBC recordings disappeared long ago but fortunately the broadcasts were recorded.
The reception was not great and in places dropped out completely and I have edited and in the case of Omaha, rebuilt a section to, hopefully, improve the listening experience. The original material can be found on the 'Short Hair, Big Boots' bootleg. The N'Betweens - You Better Run.
The N'Betweens - Evil Witchman. The N'Betweens - Security. The N'Betweens - Delighted To See You. Ambrose Slade - Nights In White Satin.
Play Rar Files
The Slade - Wild Winds Are Blowin’. The Slade - One Way Hotel. Slade - Getting Better. Slade - Coloured Rain. Slade - Omaha.
Slade - Comin’ Home. Slade - This Is The Season. Slade - C’mon C’mon. Slade - Gospel According To Rasputin. Slade - Do You Want Me. Slade - My Life Is Natural.
Slade - Candidate. Slade - Man Who Speeks Evil. Slade - Wonderin’ Y. There is nothing new on this blog, everything here has been previously available elsewhere, in one format or another.
My aim here is to try to ensure that the information is available to all Slade fans everywhere.My thanks to Chris Selby (without whom I would know nothing) and anybody else that has supplied anything personal to this or any other media collection. I must apologise to Chris Charlesworth for taking liberty's with his book. Anybody who is interested in the group's history should invest in a copy of 'Feel The Noize', generally considered to be The Slade Bible by most fans.
And last but by no means least, ( ) and John R. Woodhouse who have provided much background information by way of their on-line research, These should be studied by anybody with any interest in the 60's Midland Beat era. More general 60's info can be found at, a source of invaluable pop essentials.Any offer of missing artwork would be gratefully received. My main concern is to get 'readable text' for the trainspotters. All of Slade's official releases have been remastered and released on CD with good quality packaging and comprehensive sleeve notes by for. I would recommend the purchase of this collection to anybody who is interested in the group.
This blog will not be making any official music available for download. Images are for review or research purposes only. All images, audio, video, text, etc. Is copyright. Apart from fair dealing for the purposes of private study, research, criticism or review as permitted under the Copyright Act 1968, no part may be reproduced, copied, transmitted in any form without the prior written permission of the copyright holder.